Author Archives: Ben Schultz
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ALBUM REVIEW: Neil Young and Crazy Horse head back to the ‘Barn’
Of course Barn, named after the place where Neil Young and Crazy Horse recorded it, sounds rough and unpolished. That in itself isn’t a bad thing—the old Canadian émigré and his all-time greatest backing band have made a virtue of winging it since Everybody Knows This is Nowhere. Indeed,…
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ALBUM REVIEW: The Darkness gives fans its big, beating ‘Motorheart’
Like Orson Welles with Citizen Kane, The Darkness was both blessed and cursed to achieve perfection on its first try. Eighteen years after its release, Permission to Land still provokes belly laughs and horn-throws in equal measure. Its covert odes to head lice and onanism are Cole Porter compared…
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ALBUM REVIEW: Brandi Carlile enters her blue period with ‘In These Silent Days’
To get a bead on In These Silent Days, the new album by Brandi Carlile, it may help to compare it to an LP that came out 50 years before it: Joni Mitchell’s era-defining and massively influential Blue. Carlile has had Mitchell’s classic work on her mind a lot in recent…
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REVIEW: X Ambassadors make a muddle of heartbreak on ‘The Beautiful Liar’
X Ambassadors, “The Beautiful Liar.” Don’t get it confused, kids: X Ambassadors’ The Beautiful Liar is a breakup album. Its bookending children’s audiobook conceit, its Jung-for-beginners Shadow figure and its incongruous satirical skits may gesture toward some kind of intellectual import. However, when you skip over this stuff, you’re…
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Orla Gartland low on flash, high on substance with ‘Woman on the Internet’
Orla Gartland is so unflashy with her artistic gifts that more jaded listeners might overlook them altogether. The young Irish singer-songwriter’s debut album, Woman on the Internet, doesn’t have any in-your-face revelations. Her spare, elegantly quirky electro-pop will sound familiar to anyone who’s heard Imogen Heap, Sylvan Esso, or St.…
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ALBUM REVIEW: Los Lobos honor L.A. with ‘Native Sons’
Over the past four decades, few—if any—rock bands have evoked Los Angeles and Southern California as warmly or vividly as Los Lobos have. Of course, their SoCal is not the SoCal of, say, The Beach Boys or ’80s hair metal. It’s not catching waves, having fun-fun-fun in the T-Bird…
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REVIEW: Desperate Journalist gives maximum pleasure with ‘Maximum Sorrow!’
It’s telling that U.K. post-punk band Desperate Journalist takes its name from a joke—specifically, a track from a 1979 John Peel session with The Cure, “Desperate Journalist In Ongoing Meaningful Review Situation.” Dubbed “The Perfect Diss That Nobody Heard” by Vice in 2014, it’s basically two minutes and 40…
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ALBUM REVIEW: The Mountain Goats shine a light on ‘Dark in Here’
The Mountain Goats’ latest album, Dark in Here, feels so timely that it’s hard to believe the band recorded it more than a year ago. According to the liner notes, John Darnielle and his bandmates bashed out these 12 tracks over six days in early March 2020. At that…