Album Reviews
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ALBUM REVIEW: George Strait calls on friends, family for ‘Cowboys and Dreamers’
George Strait, “Cowboys and Dreamers.” Listening to George Strait is like chatting with an old friend. It’s comforting and deeply enjoyable every time for classic country music fans. Cowboys and Dreamers is no different for the undisputed King of Country. It’s his 30th album of new material. Cowboys and…
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ALBUM REVIEW: Zedd fulfills creative goals with ‘Telos’
Zedd, “Telos” Telos is almost entirely collaborative with Zedd featuring eight different artists on nine out of its 10 tracks. Producer and DJ Anton Zaslavski pulled in the likes of John Mayer, Brit rockers Muse and Remi Wolf, all of whom brought their own sound to Zedd’s third album…
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REVIEW: ‘Luck and Strange’ finds David Gilmour relighting an old spark
David Gilmour, “Luck and Strange.” It’s been a decade since the final Pink Floyd album, the largely instrumental The Endless River, and almost that long since the last solo studio album by David Gilmour, Rattle That Lock. Much like Randy Newman, to whom he bears little artistic resemblance, Gilmour…
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ALBUM REVIEW: Nick Cave & the Bad Seeds go big on ‘Wild God’
Nick Cave and the Bad Seeds, “Wild God.” One of the surest signs that our culture is in decline is that we don’t have that many ways of discussing truly great art anymore. Take the new Nick Cave & the Bad Seeds album, Wild God. Wild God Nick Cave…
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ALBUM REVIEW: Rachel Platten mines personal struggle on her first LP since 2017
Rachel Plattem, “I Am Rachel Platten.” Rachel Platten built her identity on ideas of self-love and perseverance. These principles guided her music from her early independent years to the success of “Fight Song,” which remains a popular anthem thanks to TV syncs and reality competitions. Since 2017’s Waves, her…
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ALBUM REVIEW: Sabrina Carpenter cheeky as ever on ‘Short n’ Sweet’
Sabrina Carpenter, “Short n’ Sweet.” Since the mid-2010s, when the Disney Channel gave her airtime, Sabrina Carpenter has had difficulty establishing a distinct sound or persona as a pop star. With all five albums she’d made, she threw different sounds at the wall, and while some stuck, she lacked…
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REVIEW: Fontaines D.C. reinvent themselves with ‘Romance’
Fontaines D.C., “Romance.” Romance, the fourth album by Irish rock quintet Fontaines D.C., is a captivating departure from its earlier work. More accessible and urbane than its predecessors, the band’s Dublin City roots remain intact, even as it explores new sonic spaces. Romance Fontaines D.C. XL Recordings, Aug. 23…
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ALBUM REVIEW: Falling in Reverse create a ‘Popular Monster’ with hard rock opus
Falling in Reverse, “Popular Monster.” There’s no pinning down Ronnie Radke on Popular Monster, the latest from Falling In Reverse. Radke threw everything into the stew, from rap to hard rock, country, pop and electronica. Popular Monster Falling In Reverse Epitaph, Aug. 15 7/10 Get the album on Amazon…
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ALBUM REVIEW: Post Malone dives headfirst into country on ‘F-1 Trillion’
Post Malone, “F-1 Trillion.” Austin Richard Post is clearly not one for half measures. On his sixth album, F-1 Trillion, the rapper, singer, and now balladeer, Post Malone shoots for the moon with a full-on country record. Not only is it weighty at 18 tracks, but just about every…
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ALBUM REVIEW: Ray LaMontagne steps back into his power on ‘Long Way Home’
Ray Lamontagne, “Long Way Home.” Ray LaMontagne likes to repeat himself. Maybe he always had. And maybe we just need him to because with each progressive lyrical repetition the message becomes clearer: He’s making an album that’s trying to penetrate the soul. Long Way Home Ray LaMontagne Liula Records,…