Author Archives: Max Heilman
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Tuesday Tracks: Your weekly new music discovery – April 17
Every week, there’s a plethora of new music at our fingertips. Artists on platforms such as Spotify and Bandcamp are plentiful, and the radio offers a steady deluge of new singles, but who has time to sort through all that? RIFF does! We pooled our resources to find some of the…
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ALBUM REVIEW: Wrekmeister Harmonies grapple with grief on The Alone Rush
The brainchild of multi-instrumentalist J.R. Robinson, Chicago music collective Wrekmeister Harmonies‘ sprawling brand of “pastoral doom” has gained fame for its impressive roster of session musicians—including Leviathan mastermind Jef Whitehead and Bruce Lamont of avant-metal jazzers Yakhuza. Driven to Oregon by a loved one’s death and a relative’s deteriorating…
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ALBUM REVIEW: Wye Oak branches out with The Louder I Call…
Electronic duo Wye Oak has spent 12 years refining the its sweeping approach to indie folk. Its pleasant melodies, open chord progressions and dynamic shifts always kept one foot in staunch experimentalism. A willingness to incorporate electronics and ambiance into its style now gives the new album’s bold synthetic…
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ALBUM REVIEW: The Family Crest reaches sublimity with The War: Act I
As the Bay Area’s vanguard baroque rock outfit, San Francisco’s The Family Crest’s symphonic approach to indie rock has captured the hearts of a growing fanbase. At once loftily cinematic and intimately communal, the group lives up to its name both in music and audience relations. In fact, the…
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Tuesday Tracks: Your weekly new music discovery – March 27
Every week, there’s a plethora of new music at our fingertips. Artists on platforms such as Spotify and Bandcamp are plentiful, and the radio offers a steady deluge of new singles, but who has time to sort through all that? RIFF does! We pooled our resources to find some of the best…
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Tuesday Tracks: Your weekly new music discovery – March 13
Every week, there’s a plethora of new music at our fingertips. Artists on platforms such as Spotify and Bandcamp are plentiful, and the radio offers a steady deluge of new singles, but who has time to sort through all that? RIFF does! We pooled our resources to find some of the best…
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ALBUM REVIEW: Young Fathers shed inhibitions and make a joyful noise on Cocoa Sugar
To label Young Fathers as a pop band may seem like a lazy cop out, but it’s also the best way to describe the Scottish trio’s eclectic styles. The self-described “psychedelic hip-hop electro boy band,” consisting of multi-instrumentalists Alloysious Massaquoi, Kayus Bankole and Graham Hastings, has proven its innate ability…
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RECAP: Air + Style offers the formula for world peace
Photos: Kyle Kohner LOS ANGELES — “How is our sound still working?” Cut Copy frontman Dan Whitford joked after a brief downpour interrupted the Aussie trio’s ’80s-inspired synth-pop set Saturday during the Air & Style festival at Exposition Park, near the USC campus. The rain sent many scurrying toward any available…
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ALBUM REVIEW: Anna Von Hausswolff comes to her own with Dead Magic
Just as Deep Purple organist Jon Lorde complemented Ritchie Blackmore’s acrobatic guitar shredding, Swedish singer-songwriter and organist Anna Von Hausswolff uses her atmospheric touch to drive a unique blend of folksy doom metal, classical ambient and gothic aesthetics. She matches the volume and weight of such abysmal heaviness with…
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Tuesday Tracks: Caitlin Canty, Charlotte Day Wilson, Datarock
Caitlyn Canty, courtesy. Starchild & The New Romantic, “Can I Come Over?” — While he certainly pays respect to the pop-soul traditions of the 1980s, Maryland’s Bryndon Cook also leaps into braver territory reminiscent of Frank Ocean and Blood Orange on this cut. Synthetic danceability and intimate ambiance allow…